Showing posts with label Tips & Techniques. Show all posts

Tuesday, February 1, 2022

Post 107: A Juried Art Show

A Juried Art Show

If you are a new artist, you may not know what certain terminology used in art circles are - which I found out quickly when I first started showing my artwork. Maybe you are in that position too; so I hope this helps you get going when you enter a juried and/or a judged show.

Stonebridge "Open Space Arts" Nov-Dec 2021 in Woodbridge, VA was a juried art event where about 14 artists were entered

1. What does a Juried Art Show mean?

When an art show is "juried", that means that only selected pieces will be accepted to be hung at the event, show, or gallery for the predetermined period of time. The sponsors of the art event want to have a great art show for the visitors to see, for enjoyment and for potential sales. Some art events are "blind juried" which means the judges do not know the name of the artist submitting the work (although the signature may be a give-away). The event will ask for "Call for Entries" to an event, but please follow the directions carefully! The directions may include the following:

A fee
A certain number of entries allowed with good quality photographs of the work only (usually no background and without the frame) and formatting requirements
A theme may be asked for or for you to enter specific categories
Size requirements
Hanging requirements
A due date

A panel of artist peers from the local art community may be the committee to review the entries. Sometimes the judges are gallery owners or curators and are paid a fee for their time. Strong composition, balance, value, color and technique are all reviewed as well as properly framed artwork (as needed).

2. What is a judged art event?

In a judged art exhibit, the works are evaluated for special recognition and are ranked. Awards, cash prizes and other acknowledgements may be a part of some art shows.

3. Why are there only X amount of entries allowed?

An easy answer is that it depends on the space allocated for the display and the size of the artwork necessary to fill that space, along with the number of entries. Be sure to include your best works when entering and the maximum number allowed - without exceeding that number.

4. Why wasn't my artwork selected?

A tougher question to answer and there could be a wide variety of reasons for an artist's work to not be selected. One of the most often reasons for acceptance could be that the photograph of the artwork did not show your work in its best light or format, so the judges were not able to consider the work. Alternatively, the artist may not have followed all the criteria necessary for entry.

Nonetheless, it is an honor to be selected to a juried event, even if only one of your pieces is accepted. Many artists don't make it in their first attempts, so don't be discouraged.

After the selections are announced, be sure to then follow the directions on how to get your artwork TO the event - including the where, when and exact times.

Wednesday, October 20, 2021

Post 48: Request for Commission for Your Artwork

Request for Commission for Your Artwork

Those words that strike excitement, joy and/or a bit of fear in an artist's heart, "I would like to commission a painting from you." Wow, ok GREAT! Wait, what do they want me to paint??!! There are a lot of questions to have answered and agreed upon before any brush hits canvas or running to the art supply store, even if from a friend.

Commission Contract

Unless you trust your friend or family member with your life (and for some artists, their artwork IS their life), a Commission Contract is recommended for anyone requesting artwork from you. The contract spells out what each of you - client and artist expect so that every one of the requirements are met and everyone is happy.

The Commission Contract will state everything that is requested, required, expected and agreed upon. The client is requesting a service from the artist and the document defines what those services are.

So when that message is received from someone that says, "I would like to commission a painting from you," as stated above, our initial response might be -oh how cool! But that is only the beginning of a conversation that could take some time to iron out. Here are a few up front questions that need to be answered.

1. What is the subject of the artwork?

Make sure you have DETAILS on exactly what the subject desired is - the position/angle, the expression, the coloring, perhaps time of day, what to include or exclude, etc.

Is the subject right in your ball park and area of expertise? Great, no worries. But what if it isn't? Are you comfortable with painting people and the requestor wants you to paint their child when you might specialize in pet portraits and/or Picasso styles?

And if you work in oils, acrylic, or mixed mediums, what medium is being requested?

2. What size is the artwork and what surface is desired?

Some clients will need to be walked through the standard canvas sizes available unless the artist is adept at stretching his or her own canvases - or if an alternative surface is being used, you still need to know the size desired.

Common Stretched Gallery Wrapped ready for purchase Canvases:

Mini Canvas - anything under 4x6 (3x4, 4x4)

Small Canvas

4x6

5x5

5x7

6x6

8x8

Medium Canvas

8x10

9x10

9x12

10x10

10x14

11x14

12x12

12x16

14x14

16x20

Large Canvas

18x24

20x24

24x36

30x40

36x48 and up

Custom Sizes

Will the canvas fit in YOUR vehicle? Will it fit in theirs when they pick it up? How you and they plan on getting it home is a consideration both of you should think about.

3. When do they need it?

A great question that will need to be answered especially if there is a special/holiday target due date. Do you have several art requests ahead of them that must be finished? How busy is your schedule? Be realistic in setting up expectations. Some artists state on their websites if they are currently accepting new commissions or not (for a multiple of reasons).

All painted artwork needs a curing period for several of its steps including prior to varnishing, isolation coats (if used) and after varnishing, and the medium used will affect any of those steps. Oil paintings are especially time sensitive.

If the space of time required because of your work load and previous commitments does not fit in with their schedule, say so. Perhaps you have another work in your inventory that might fit their needs if time is of the essence.

When the artwork is completed, how will it get where it needs to go? Clearly specify if the art will be picked up, delivered or shipped up front, in the Commission Contract. ALL of your costs MUST (there is no should) be included in the quote. Shipping is a whole new monster in getting it where it needs to go - a frame, packing materials, weight, etc will all need to be worked out.

4. Do they have reference photos?

Obviously, people portraits, pet portraits, places, objects, etc. with several clear photographs will definitely help the artist to get the work accomplished. The lighting and time of day of the photograph may be something to consider as well.

Some research time may need to be spent to see a specific location from several angles. I once had a commission from a client's photograph of Mount Assiniboine in British Columbia, Canada (see photo below). It wasn't until I did some online research that I was able to see clearly that the 'snowy mountain peeks' in the photo were not all the same mountain so I could paint them correctly. (I try to be that detailed.)

5. Will you need to do preliminary sketches for approval?

Occasionally a client is so confident in your ability that they know you will come up with a beauty for them. And of course, you will. Other clients will want to see what your concept is and to sign off on the rendering before working on the actual final artwork. This is fine too, its all a part of the communication to meet the client's expectations.

There are many things to consider. Typically the contract will allow up to 3 sketches for the proposed work. Anything above the 3 sketches/changes will add to the total cost probably with a by-the-hour rates. And the rights to all of the sketches belong with the artist.

What if the client wants to change something mid-stream, after approval of the sketch? How may revisions will be allowed before extra costs are incurred? All of these issues need to be stated before starting.

6. Will it be framed?

The biggest thing about having the commissioned contract is so that all parties know what to expect. There is nothing worse than the client saying, "I thought it was going to be this way..." Or, "I thought it would be framed". Again, it is communicated on the Commission Contract.

Gallery wrapped canvases do not necessarily need to be framed, but you will need to finish the edges. Finished edges are a sign of a true professional and are expected in any gallery.

Mount Assiniboine, British Columbia, Canada, 18x24 Acrylic on stretched canvas by Donna Liguria. Displaying the finished edge on the canvas.

7. Are there any miscellaneous details to consider?

Who owns the rights to the piece, the artist does. They may "own" the original after they've picked it up from you, but you own the copyright. State on the form if the client may or may not have reproductions made of the artwork. The artist also reserves the right to title the artwork as well as use of the image of the work because he/she may still use its image for print sales. (The client should NOT.)

Exhibitions: There will need to be a statement and agreements on if the artist might use the artwork for an exhibit later and all the details on that should be spelled out. If the artwork is used as part of an artist's exhibition, you would see a "Not For Sale" and perhaps "On Loan from the Collection of __".

For larger pieces:

Will there be a cost to install?
Transporting, packaging and weight costs

8. Do they have a preference where the signature will be?

Some clients may have a preference on where your signature should appear, but as any artist knows, a signature must be on it - at a minimum, on the back of the canvas. Most artists do sign on the front, often the bottom right but an option could be on the side of the artwork as well. You will need to know if there is a preference or if it matters to the client.

9. And how much will it cost?

And the big question, what will it cost? The artist will have to build a quote for the work with the various stipulations as noted above, less the nonrefundable deposit. DO include Sales Tax.

Try to keep an eye on the clock for some projects you do so that you have some idea of how much time various projects might cost. That may help with later quotes. See the blog posts on Pricing.

Protect Yourself

The entire process should ensure that your work and payment are safe, secure and legitimate.

First, ensure the request is legit, especially if contacted via the Internet. There are those out there that are working various schemes, so be aware of that.
As with anything else in life, communication is key and NOTHING should be ever be assumed. Spell it out.
I like to post paintings in progress online via my blog and social media unless the client is gifting the painting and doesn't want the work shown in advance.
I include an "Artwork Care" directions with the contract. I state that fine art is not recommended in warm/damp bathroom environments and if the purchaser decides to hang the work there, well that is on them. Also, they should not hang fine artwork in direct sunlight.

Remember, please remember, follow your instincts and if it sounds too good to be true, it probably is. If emails, texts, or phone calls go unanswered for a long period of time or if the client wants YOU to pay - anything - something could very easily be wrong. Pay attention to the red flags.

This painting is a part of YOUR business and if something goes wrong, at least your up front payment received will cover the supplies cost/startup. You should NEVER incur any of the initial costs. Look at it this way, if the sale falls through, you are only out the time worked on the project not the supplies. You may even be able to still sell the work or paint over it.

Depending on the contract, even then, you may still be able to recover all or some of the costs depending on the amount of work completed. You are providing a service to a client and a good contract will protect both sides.

Payments

Get a deposit! Note the deposit on your contract form and deduct it from your final total. Deposits may range between one third and one half of your total and is NONREFUNDABLE.

A payment method is a necessary tool especially for credit cards. Paypal, Square - there are a lot of options these days for artists to receive payments so research those methods to find what works best for you.

If you must take a check, ensure the check CLEARS - BEFORE starting the work - all starting dates are contingent on that. When the work is picked up or delivered, specify cash or arrange for alternative payment. Give the client an invoice, a Painting Care sheet, Certificate of Authenticity, or any other documentation as necessary.

And Finally...

Occasionally the client may decide to not continue with the commission. Perhaps the quote is higher than they wanted to spend, which is fine. If they don't like what you charge for your service, so be it. To me it is also an honor that they apparently saw some of your work and contacted you in the first place.

But if a deposit has been given and work has started, a good Commission Contract will spell out what will happen whether the client discontinues the agreement or if the artist fails to meet the agreement.

Note: This post may be only a 'beginning' and updated as the information is developed and refined. My hope is to also have a sample form available at some point too, either here or as a page in the Blog.

Nonetheless, have a look around, there are some free simple-sample forms and more expansive versions available online and there are paid versions as well.

Last Update: May 1, 2023

Local Art: Visit us at Open Space Arts at 15000 #140 Potomac Town Center, Woodbridge, VA from Wednesday - Saturdays 12-7pm and Sundays from 12 to 5 – it’s free to see the artwork! Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Thank you for visiting, and remember to Share, Follow, and Comment!

Author: Donna Liguria
An artist member of PWAS in Woodbridge, VA specializing in acrylic painting. She paints landscapes, seascapes, animals and many subjects. Visit her Blog at https://donnascavepainting.blogspot.com/.

Photography/Video Credits:

Donna Liguria

Saturday, October 16, 2021

Post 44: Give Your Artwork a Name and Don't Call It Untitled

Give Your Artwork a Name and Don't Call It Untitled

How do you go about giving your artwork a title? Does the name come out of the upper atmosphere of your creative process with so many deep thoughts, maybe a lot of emotions, or perhaps some lofty ideals of human existence? Do you break out the Thesaurus and/or the Dictionary? How does your artwork get its title?

This Painting Needs a Name and I've Exhausted My Creativity for the Day

Recently, our PWAS group had a booth at the Occoquan Arts and Crafts art show and I was helping with our sales. Each artist attaches 2 cards to each of our pieces and if the piece sells, we mark the artwork off of that artist's inventory sheet. The card has the Name of the Artist, the Title of the Work, the Medium and of course, the Price. Not to throw anyone under the bus (and all names have been changed, or politely removed to protect the innocent [AKA guilty]), but it was funny several times when someone purchased an art piece and the art title was just a one-word-wonder like, "Dog", or "Vase", or "Leaves".

One person remarked teasingly with a laugh, "Come on, you can be more creative than that!" I can not say I agonize over a name for my own artwork, but I agree, a one word so-very-basic description as a name seems to not do justice to the time and energy that most people put into their art. Maybe you agree or not, it just all caught me as rather funny. Then again, I find a lot of things amusing.

So this Blog Post was forming in my head, which of course means I need a Blog Title as well. Oh the vicious cycle of a name, begins again. Anyway, of course I get out my trusty Google Search. (Another rabbit hole, oh well.)

Let the Research Begin

The questions I wanted answers to:

How important is the title on your artwork?
When and how do you come up with the name for your artwork?
Does the title fall out of the sky and land in your lap? (Think lightening bolt.)
How big a struggle is it typically?
Do you get online and ask your followers, friends or Ouija Board to name it?
And most importantly: What have others written on this topic?

Let Others Tell Their Art Naming Stories

My research led me to several nicely written articles already written on naming your artwork, so go read theirs!! (I should add - after you finish reading mine.)

What is Considered a Good Title?

According to the experts (whomever they are):

An artwork title should convey where you were coming from when you did it. ("Blue Monday")
A title might give the viewer room to come up with their own interpretation of the work. ("My Monday is Blue")
The title of your artwork helps the piece to tell its own story. ("Somebody Spilled Blue on Me on Monday")
The title may have an intentional play on words. ("Blumon Day")
Persons, places, and critters (pet portraits) sort of name themselves, but can be added on as well. ("See Spot Run into the Blue, on Monday")

Titles that Suck (So They Say, again - whoever "They" are)

"Untitled" is the Title
Just a number is the Title

Hmmm, I'm thinking what if you are in a show where the artwork has an ID number too...

I do take my art seriously, as most artists do, but I hope I can laugh along the way of life too. I am a believer in at a minimum, an interesting title. The advice given by several writers is to avoid the cliche, don't be pretentious, be memorable, shorter names are better and on and on.

As our PWAS member Penny Shaw stated recently in her PWAS Artist Interview as her best art advice, "Do you." When it all boils down, Name your Artwork whatever the heck you want to!

How I Find a Name

Occasionally, I take the "one word descriptor title" and look for a piece of poetry or a line in a song or a quote with that word and build on that line. Other times, yes, the title falls out of the sky and lands in my lap. And no, I do NOT use a Ouija Board.

I have to show you a piece of my artwork and the name I gave it. I amuse myself with its name - I can so picture it happening in my head. First, a picture of the artwork:

By Donna Liguria, Acrylic 10x10

What would you have named it? What do you think I named it? Any guesses?

Here's the Title: "See Any Doritos?"

Let me know what you think of this "tongue-in-cheek" article in the comments below.

Post updated May 9, 2025

Local Art: Visit us at any of our art shows or our monthly meetings. See our website for more info. Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Thank you for visiting, and remember to Share, Follow, and Comment!

Photography/Video Credits:

Donna Liguria

Monday, October 11, 2021

Post 39: About Watermarks on Your Art Online

Watermark Your Artwork Online

There are several great reasons to watermark your artwork and probably some decent reasons why some artists don't use them. Nonetheless, if you have artwork online, the recommendation is to use a watermark on all of your work.

Why Watermark?

If there isn't a saying for it already, there should be - the great thing about the Internet is you can share your art with the world. A bad thing about the Internet is you can share your art with the world - and those with bad intentions.

Just when you thought all you had to do as an artist is put a paintbrush to canvas everyday or perhaps tote that finished canvas around to show it off, you realize you have to protect the image of your artwork from being stolen online too.

Watermarks are used to help prevent your online artwork images from theft, or at least, more difficult to steal. Look around the internet and you can read the woes about the artists that have had their work stolen and someone is selling prints of their artwork!

You and Your Artwork Are a Business

An artist and his or her artwork are a business. A business has a brand. A watermark is a part of "Brand Awareness" and help identify that the photograph -of your artwork- is yours. Watermarks are used to help brand awareness and also as an online "signature".

Understand that a watermark is not a copyright though, it has no legal value.

Watermarks can be distracting from showing your art piece in its full glory, but most people understand why they are important to be on the artwork you are posting online. It takes a bit of work to do it, but watermarks can be removed. Photoshop is one way to do it, but also, a way to add it.

How to Watermark

As a first step, in general, try to be strategic when signing your artwork when you are signing your artwork. That would mean your signature should really be your full name placed so that it doesn't distract from the painting itself, but when possible wouldn't be so easily "cropped out" without distorting the image online.

See the article on Signing your artwork at https://artistryspin.blogspot.com/2021/09/post-16-how-do-you-sign-your-artwork.html

Keep images low resolution, not too large, files dpi to 72

Some things to remember:

Create your watermark that you will use similar to your real signature on the canvas, using a specific font, color - opacity, size, style - with the @YourName/Business OR use @YourName.com - your URL name to your website.

When saving your images that are watermarked, include "WM" or "Watermark" in the file name to more easily identify it. Pop those into your file for watermarked images that you use whenever selecting artwork images for online social posts and not the originals.

Never work with your original artwork image, make a COPY. Store and Save the originals (and a backup) in another file. One of our members lost a huge number of original photos not long ago when his computer went up in flames (AKA died).

"Water Pads and Blooms" by Donna Liguria, Acrylic 10x10

"Virginia Beach" by Donna Liguria, Acrylic 11x14

I didn't do anything very fancy on mine so far but I am learning too. At least its a start!

Tuesday, October 5, 2021

Post 34: Art Topic Favorite Art Tool

Art Topic Favorite Art Tool

This month's PWAS Member Art Topic is "What is your favorite art tool in your studio?"

H2 Heading - divides your article into nice sections

There are plenty of essential tools that are must haves for that artist to do the medium(s) or types of artwork that they do. The basic art supplies should be available to any and all artists like paper, pens, brushes, notebook/sketchbook, work lights, all variety of paints, easels, and much more.

Occasionally, an artist comes across a specific brand of an item, a certain piece of equipment or even an unusual thing that helps them do their thing even better than they imagined. Here are a few.

1. Bettie Sperty

A nice little, inexpensive tool that I use often is this Tao Bamboo Tabletop Easel.

I got it at Jerry’s Artarama several years ago on sale for $7. It’s $15.99 now, but Jerry’s is always having sales and coupons.

It folds flat, so lightweight, slant is adjustable and I’ve used it for up to 12x12 surfaces easily.

They also carry a slightly larger/heavier version that has a drawer for your paints, pastels, pencils, whatever.

My website is : www.bsperty.com

You can see mine has been well used.

2. Shadow

It’s not my favorite tool, but one I use for just about every piece I do. My light board. I have this one: a GAOMON B4 Size LED Light Box 5 Millimeters Ultrathin Light Pad USB Art Tracing Board for Sketch Copy and Handwork - GB4. I use it to transfer my designs to a clean sheet of heavy paper after I finish the pencil sketch.

Amazon

3. Donna Liguria

There are a lot of things I couldn't do without but one of my best finds were these light fixtures that attach to the back of my table easel and allow me to paint no matter the type of day it is or the time of night. Its a LED Desk Lamp, BZBRLZ Metal Swing Arm Lamp, Eye-Caring Architect Task Lamp, Dimmable Office Table Lamp with 3 Color Modes, 10 Brightness Levels & Adapter, Memory Function(Black). Its a
a long name for a long extending light.

Amazon

Thank you for visiting, and remember to Share, Follow, and Comment!

Photography/Video Credits:
PWAS Members

Thursday, September 16, 2021

Post 16: How Do You Sign Your Artwork?

How Do You Sign Your Artwork?

An artist's signature identifies his or her work for all the world to identify. Whether the artist's full name, first or last name, nickname, initial(s) or logo, that telltale mark helps to identify that it is yours, for time eternal.

Why Signing Your Art Is So Important

I recently had a relative say that she hated seeing a name of a person painted across the face of a painting. I had to explain to her that how else can you, as the viewer, identify and verify who created it except by having the artist's name or initials marking it consistently in such a way to let the world know beyond a reasonable doubt, that the work is BY that artist now and into the future?

For the artist and his/her paintings, the value of that signature being recognized and verified is all important to its value as well. Any of your artwork should be easily identifiable as your original piece. Think about the greatest artists and how valuable their works are because of a recognizable signature. Do you happen to have a Rembrandt in the attic?

It's a big deal, your signature. An original piece of artwork should never be left to "Anonymous".

Photo by Geordanna Cordero on Unsplash

Putting your signature on your artwork is a personal choice on how you want to do it and perhaps where, but there are "standards".

Typically, signatures are found in the lower right corner (most common), in full (best), initials or some specific design. Occasionally, perhaps for aesthetics, it might be located elsewhere, but the standard is on the right side.

The back of the painting should include:

Your full name - sign the back of your painting -on the canvas- with your full name especially if your signature on the front is not your full name.
The title of the artwork
The inventory, SKU, or reference number (if you use one)
The year it was completed

And remember:

Sign the painting as soon as it is finished or near finished so that it will not look like it was added later.
There are reasons to not use a sticker label (it can eventually peel off).
Do not sign the canvas framing (it can be re-framed later and your signature is gone).
There is the idea of not too big and not too small, but just right in the size of your signature - so your artwork isn't overwhelmed by your name (hence, making my relative's observation about the artist signature justified).
Sign your painting BEFORE varnishing it.
Allow space when placing your signature for framing or matting, especially in anticipation of making art prints. You don't want the signature to get buried in the presentation of the piece.

Find Your Signature

Do you use your whole name or just initials? You might try playing with your initials to see if you can make an interesting "brand logo" with them. Once you hit upon your 'go to signature' keep it consistent going forward so anyone can recognize that its you.

It is more commonly recommended to sign your name in full though, so there is no dispute over plain initials.

Try various fonts. Trace your signature on tracing paper to try it out and to transfer it onto the canvas then paint it in.

Try watercolor pencil on acrylic paintings then paint it in. Or use the watercolor pencil and ruler to draw in a line to sign on then remove the line. Research your options.

Some artists will "blend" their signature into the painting so that it is not quite so obvious and/or less distracting from the overall work. No one says it has to be horizontal either.

Still other artists will scratch their signature into the wet paint. So you see, there are a lot of ways to do it, you'll just need to find and develop your own style.

Other People Finding Your Signature

When you are trying to become a known artist, would it not make sense to sign your full name so that someone could do an internet search on you and find your other artwork?

This makes sense and I'll have to change up what I have been doing! I've been just doing initials on the front and signing the back so I have to change this immediately! Not everyone will ever see the back of a painting so I will need to work on an actual full name signature too - IMMEDIATELY!

Signing Different Types of Artwork

There is definitely more to learn about signing your artwork and I recommend learning as much as you can especially as there are "industry standards" that are not just recommended or suggested, but are expected for paintings, art prints, etc.

Here are a few good links I came across:

https://www.artbusinessinfo.com/artist-signatures.html

https://makingamark.blogspot.com/2011/10/how-to-sign-art-print.html

https://seasideart.com/blogs/blog/artist-signatures-how-do-they-impact-the-value-of-art

https://www.roisinofarrell.com/2303/

Do you have any other information you could add to this?

I would love to know more about how you sign your artwork and how has your signature evolved over time? Please leave a comment below.

Thank you for visiting, and remember to Share, Follow, and Comment!

Pages

Tuesday, February 1, 2022

A Juried Art Show

1. What does a Juried Art Show mean?

2. What is a judged art event?

3. Why are there only X amount of entries allowed?

4. Why wasn't my artwork selected?

Wednesday, October 20, 2021

Request for Commission for Your Artwork

Commission Contract

1. What is the subject of the artwork?

2. What size is the artwork and what surface is desired?

Common Stretched Gallery Wrapped ready for purchase Canvases:

3. When do they need it?

4. Do they have reference photos?

5. Will you need to do preliminary sketches for approval?

6. Will it be framed?

7. Are there any miscellaneous details to consider?

8. Do they have a preference where the signature will be?

9. And how much will it cost?

Protect Yourself

Payments

And Finally...

Saturday, October 16, 2021

Give Your Artwork a Name and Don't Call It Untitled

This Painting Needs a Name and I've Exhausted My Creativity for the Day

Let the Research Begin

Let Others Tell Their Art Naming Stories

What is Considered a Good Title?

Titles that Suck (So They Say, again - whoever "They" are)

How I Find a Name

Monday, October 11, 2021

Watermark Your Artwork Online

Why Watermark?

You and Your Artwork Are a Business

How to Watermark

Some things to remember:

Read More About Watermarks

Tuesday, October 5, 2021

Art Topic Favorite Art Tool

H2 Heading - divides your article into nice sections

1. Bettie Sperty

2. Shadow

3. Donna Liguria

Thursday, September 16, 2021

How Do You Sign Your Artwork?

Why Signing Your Art Is So Important

Find Your Signature

Other People Finding Your Signature

Signing Different Types of Artwork

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