Showing posts with label Art Tips. Show all posts
Showing posts with label Art Tips. Show all posts

Monday, March 3, 2025

Post 546: How to Apply to a Call for Art

How to Apply to a Call for Art

Some artists are content to simply create their art in their studio at home and letting the canvases pile up, and that is fine. Other artists create their art in order to show the world and hopefully, make a few bucks while they do it. Fine too. Let's take a look at answering a Call for Art for an art exhibit, which often means there is a Juror - a person that selects what will actually be up on the walls at their show.

It's for you...

Finding Art Shows

Finding Art Shows may circle around art organizational groups near you; they are also known as art leagues, an art society, art council, art guild, artisans, etc. These groups are pretty good places to start to get to knowing the art process for an art show. 

There are popup shows which are often not juried, there are art festivals and many other options out there when you start looking so that you can try selling your artwork.

Facebook is a great place to look as well and there are websites that will give you lists of shows in your city, state. Here are a few:

ArtCall.org

Onlinejuriedshows.com

Callforentry.org (aka CaFE)

Artdeadline.com 

Gallery submissions are a whole different monster. Some of your local art orgs may help you to get into local galleries with a group show which will certainly help to get you started. Building your name is part of that process. See How to Art Show

Art shows come in every shape and size and form. Some are juried, some are first come first served to get in. Many have a fee for a specific number of entries, some are a fee per entry. Some will categorize your artwork by media, some will offer prizes and/or ribbons. Start out wherever you are comfortable. (psst...remember the old motto "you have to play to win"?)

Is it the Right Art Show for Your Art Style?

Decide if the Call for Art is a correct fit for your art style, your budget, and the audience that would be interested in your price points.

Do the research also to ensure the Call for Art is from a legitimate, reliable, a known and well-run organization. 

Some Calls may or may not ask for your artwork to be shipped to them making it pretty important to know if shipping costs are involved, if you have to drive it there, AND will you get your art back if it doesn't sell? Do the research! This is also when being a part of your local art scene and group(s) will help in knowing which shows are legit.

Art Scammers are Everywhere a must-read

Address Your Call for Art Registration

Every art show is different in their registration process and in their requirements, and you must follow their directions explicitly. Their requirements at a glance may seem similar, but... oh yes, they can vary slightly, if not tremendously.

Read through the entire registration and take note of the fees to enter, the commission if something sells, the show's exhibiting requirements (they are not suggestions!) and any other significant requests. Is there a theme? Are there things that they do NOT want? Give yourself a fighting chance by reading and following the directions!

In a recent art show our art group did, the organization did NOT want a specific animal even thought said animal was in their name. They had HAD IT with artworks of that animal!

Note if you have any questions not addressed in the Call. Also take note of when checks are mailed out if you sell your work, it could be the next month or in a couple of months.

The art show coordinator(s) are NOT going to teach you how to manage your art submission, its up to YOU to learn how to do it and do it correctly. If you don't know how to do something, look it up on the internet, and check a couple of sources to round out your knowledge.

Rules are not meant to be broken in a Call for Art. Your submission can be at risk if you do not follow their stated requirements. And if you are paying a fee to enter, that fee will not be returned - they have a show to run. 

If its possible, Print the application and highlight those very important pieces like deadlines, important dates, file formats, etc. You can also check off the items if you need to as you do them.

Some Calls for Art Want an Artist Bio or Statement

The artist bio or a statement, even a "What inspired this artwork" is sometimes asked for in the Call. This could be used by the juror, the show organizers, and even printed out and placed next to your artwork if you are accepted.

Have an artist bio AND an artist statement written up already and have them in a blurb, a short and longer versions. The Call may give you the character minimum or character maximum, so knowing this in advance saves you time.

We occasionally see the artwork inspiration requirement at some galleries. If you write something up SAVE it with your images in case you can use them again. 

Get help if you need to write these documents. There are plenty of articles online that give advice on these topics or if you have a friend with those skills - ask for help!

The Size of Your Artwork

Size Requirements - take note if there is a maximum or minimum size. Every gallery and art space is different. They may have lots of normal size walls and they may not have doors big enough for your life-sized Godzilla rendition. Or they may not have a place to put a miniature of a bee butt. 

There may also be size restrictions so that the art space can hang as many artworks as they can inside that space to allow for more artists and pieces to be shown.

Number of Artworks You Can Submit

I rather agree with submitting the maximum number that you can. If they ask for up to 3, submit 3. If they ask for 5, give them 5. Why tickle their toes with only submitting 1?

Read this from Artbusiness.com - great tips on this article!

"Submit more than one work of art if you are allowed to do so, and make sure they're related in some way-- by composition, series, theme or other criteria. Multiple related artworks give jurors a better idea of the bigger picture, what you're up to and where you're going with it. I tend to be more favorable toward works of art when I can experience them more in depth and see that they're part of larger narratives I can understand and appreciate." - Alan Bamberger

'Nuff said?

Your Artwork Images

A couple questions for you:

1. What is the most important part of the submission of to an art show? 

Correct, the art. 

2. What's the next most important thing about submitting art to a show?

An absolutely great picture of your art.

That said, you'd be surprised that artists will mess this up time and again. Probably most Calls for Art these days are submitted on the internet. That means there are some (usually easy) skill sets you need to get to know to get those Calls off to the show. OR get someone to do the work for you.

You'll need and need to know how to:

  • Take quality photos - this is imperative. If they can't clearly see how great your artwork is because of a poor photo, your chances of being accepted could very well be shot. An iPhone CAN do it just fine, it you take your time and learn to do it correctly.
    • Use a tripod
    • Take pictures of your artwork before you varnish to help with glare.
  • Edit your photos, crop out ALL background, all non-artwork including the frame (unless asked for).
    • Do NOT include any watermarks
  • SAVE your image files - the same artwork image photos in multiple ways.
    • Pay attention to the Call for Art requested format, which can and will vary. Sample Request: "Digital image files should be in JPG format, not larger than 1200 pixels or 4.2 MB and named as follows: Lastname-Firstname-TitleOfArtwork-Size-Price.jpg."
    • Typical saved file formats requested vary so have multiple saved images of the same artwork in your document and image folders so you can grab the correct one:
      • Liguria_Donna-My Dream Landscape.jpeg
      • Liguria_D-My Dream Landscape.jpeg 
      • Liguria-Donna-MyDreamLandscape-18x24-450.jpeg
    • Saving your image files no matter HOW the Call asks for it helps the people managing the art show KNOW which image is which on their computers and software and WHO it belongs too. Only give them which format that they ask for.
  • Uploading your photos on a computer requires that you know where your image files are on your computer or phone. Great management and naming of your files and folder library is essential so you can find the correct image you need.
    • I have a Folder for "Juried Artwork" so I can go select the best quality photo I have, already cropped and select which file format I need. That helps with knowing which ones I need for printing too.
    • A sidenote: use a lesser quality image for posting on social media, or an over-cropped photo.
  • Attach photos to your submission if sending by email. There is a BIG difference between embedded on an email and attached to an email. Look that up for the type of email that you use.

Embedded images - are inserted into the body of the emails and the file formatting is lost. Embedded images are compressed in an email and the image quality can be reduced. Hence, it is more work for the email recipient and NOT recommended to use when submitting via email.

Attachments - the recipient must download the image but the artwork does keep its formatting as requested in the Call. Attachments keep their original quality better than embedded images. Learn to do attachments!!

Also, some Calls may only want recent artwork from the last 2-3 years.

Wouldn't it be awesome for us all to have an art apprentice or sidekick that takes care of the business side of art?

Mark Your Calendars

Pay close attention to your deadlines, due dates, drop off and pickup dates, notification dates, art reception dates by marking your calendars. Be it paper or on your cell phone with alerts, get your dates straight so you don't miss out on the art opportunity and create calendar alerts if you need to.

Deadlines Not Optional

In reading the Call requirements, take note of the date and time to enter down to the no later than time. Many shows ask for a specific date by 11:59 pm. Midnight 12 am is the next day, right? Too late. But a few shows have an earlier time, say 5:30 pm. so submitting at 7 pm is too late.

Also of note is to not wait until the last minute. We don't know what is happening behind the scenes at any particular show.

Whew, you made the deadline! Now what?

Art Notification Time

So now its time to sit and wait. Wait! What are you doing sitting around? Go paint something new!

One of two things can happen when the email notification arrives, of course...

Your Artwork Was Accepted, Now What?

Congratulations are in order to you, well done! Now, your calendar of dates about the show are imperative. Your drop off dates and times, the art reception date (hopefully they are having one!), and also getting on social media and letting all your friends, family, neighbors, long lost cousins, high school friends, potential buyers - let everyone know your art will be in THAT show on those dates, at that location, and please be there! YOU have to help spread the word.

And a jolly good time if they have a URL to the Artwork! Send that out too!

We may have entered 5 to a show and only one or two were accepted, and we may even be surprised at their choice. Getting in is awesome in itself, good work. As in the suggestions in the next section below, review your process and what was selected so you can hopefully improve your odds next time.

Some art shows are using SignUpGenius.com to arrange their drop off dates and times as well as their pickups at the end of the show. This is an easy to use tool that helps art shows, art galleries and other businesses to setup sign up sheets, schedules and even volunteer times and dates. This is a tremendous help so that not every artist arrives at the same time. It may even send you a reminder too.

Especially important next steps are to absolutely ensure your artwork is ready to get to the show and hang the way the Call asks for it to be hung. Do you need to apply a specific label to the back AND to the front, or are they printing the front ones for you?

See Art Display for Prince William Art Society Display Requirements

I shouldn't have to type these, but I do...

  • Only take the artwork that was accepted into their show AND be on time.
    • You could be turned away if you show up too late.
  • Ensure your artwork is wired (in the correct way as per the art show requirements) BEFORE you leave the house/studio. 
  • And ensure your artwork is DRY. Yes, we have seen artwork still wet.

Your Artwork Was Not Accepted, Now What?

No, it is not the end of the world and don't jump out a window or bash your artwork. Artwork not being accepted into an art show happens ALL the time to EVERY artist sometimes even after they have been showing for awhile. It hurts, yes. Does it get you angry? Honestly...It really isn't worth the emotion.

I've had it happen and I paid a fee to enter too. Sure, I growled and grumbled. But we all have to remember that not all artwork is accepted and it could be for a TON of reasons.

  • There are some things we have control over - our selection of our artwork to submit, the quality of our own entries and photos, and how we interpreted their theme; and 
  • There some things we do not have control over - the juror or art organizers that made their selections, the quality of ALL the artwork submitted, the space they have, and the amount of art they had to select from. Imagine having 1000 art pieces entered and having space for about 300! Believe me, that judge/juror is slicing and dicing on the entries!

See my blog post on Artwork Rejection

My suggestion would be to still go to the art show, perhaps the art reception and have a look at what was accepted to get a better feel for the next time you enter. Take note of what is selling. Keep your cool of course but remember, often the selection process is put in an outside person's hands (an art juror) so it is based on what he or she likes. It is just a part of the art world. And the next time it could be a different juror and its based again, on what he or she likes. 

We just keep making more art. We keep improving. We acknowledge if we made a mistake on our end. We try again. As the sayings go, "Don't cut off your nose to spite your face" and "Don't burn your bridges".

Additional Art Notes

You surely didn't think I was done yet?

Keep track of your art inventory. Also see Art Documents.

You'll need to devise an art management system of your own for a lot of great reasons. You will need to know where your art is, where it was, and when various pieces will need to be at various art shows.

I've seen these OOPS moments happen a couple of times:

  • an artist NEVER came to pick up their art. (Appalling!)
  • an artist asks what happened to their artwork and thought it had gotten stolen, then later found out it was elsewhere. (oopsies!)

Many shows do not want to have the same pieces submitted again. You certainly do not want to forget that you put a piece in one show and its still at another show you entered. 

Well, I hope this blog post was helpful to you in some way. Do you have anything you could add? Drop a comment below. Thanks for reading!


Author: Donna Liguria
Artistry Spin Blogmaster and an artist member of PWAS in Woodbridge, VA, specializing in acrylic painting. She paints landscapes, seascapes, animals and many subjects. Visit her Website at DonnaLiguriaArt.com, her Donna's Esty site and her Blog at Donna’s Cave Paintings.

Local Art: The Prince William Art Society is a 50+-year-old non-profit art group in PWC for the appreciation of fine art throughout the county and Northern Virginia. Visit us at any of our local art shows or join us for our monthly meetings - held on the 4th Monday of the month at the Tall Oaks Community Center at 12298 Cotton Mill Dr, Woodbridge, VA at 7:30pm

Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Have an idea for a blog post? Are you a writer and want to help with the blog? Let me know! Thank you for visiting, and remember to Share, Follow, and Comment (below)! ...Remember, comments are monitored so they will not show up immediately.

pinterest-site-verification=3ad32cc9cfeae507ba5a382d62fcee17

Thursday, January 23, 2025

Post 532: Art Tips from Various Sources

Art Tips from Various Sources

Several art tips and suggestions that an artist may find useful from art created in a workshop to the use of a cotton or a linen canvas. Check out the art suggestions here and drop your thoughts in the comment area too.

Photo by Tim Arterbury on Unsplash 

Jerry's Artarama Art Tips

Jerry's Artarama Free Art Lessons 

Art Tips: the best advice for artists from artists 

Can You Sell Artwork From a Painting Class?

The short answer is typically a NO. There would be copyright infringements because the artwork (photo) you are probably using as a reference photo is not originally yours in composition, design, or idea. Some online workshops will have statements on the use of the workshop art created.

What Do You Do With Your Workshop Painting?

Painting Workshops - Ethics and Copyright

An interesting art topic especially as we often learn from the old masters and use their wonderful art to learn from too. See those links above to learn how to sign your rendition of "Girl With a Pearl Earring" by Johannes Vermeer.

From Zee Berrios

For those who work with acrylics and save leftover paints... the way to avoid the paints from getting mildew is to spray a little Vinegar in the container then seal it. Mildew will not grow in it.

Also, highly recommended is the book: Compendium of Acrylic Painting Techniques (By Gil Barron). There are hundred of books out there on the subject, but this one is above the rest. It has hundreds of practical tips, techniques and great ideas on the subject.

From Robert Dew

I recently asked Robert how he stores all the paintings he does. The reason I asked him is because he tries to paint - at the least one - painting every single day and often paints more than one! He is a very prolific plein air artist. Here was his answer:

"I do the majority of my work on paper so I can stack them up and not take up too much space.  I only use canvases for commissions . I do use boards for plein air oils but they stack quite easily. I also only frame when I have to, that really saves space."

From Mark Clifton  

I also asked Mark Clifton on the differences between a linen canvas (more expensive) and a regular cotton stretched canvas (less expensive) that you might purchase from an art store like Michaels or Hobby Lobby. Here is what he said:

"So far I can't tell much difference between linen canvas and cotton canvas. Linen is a finer weave though. After adding three or four coats of gesso it doesn't seem to matter. On this one I sprung for the most expensive Old Holland linen as an experiment, which added thirty dollars over a good canvas, and it seems about the same."

I would ask our blog readers their thoughts on any differences in the canvas types - please drop a comment below. (Please see Comments to better understand how to not post as 'Anonymous'.)


Author: Donna Liguria
Artistry Spin Blogmaster and an artist member of PWAS in Woodbridge, VA, specializing in acrylic painting. She paints landscapes, seascapes, animals and many subjects. Visit her Website at DonnaLiguriaArt.com, her Donna's Esty site and her Blog at Donna’s Cave Paintings.

Local Art: The Prince William Art Society is a 50+-year-old non-profit art group in PWC for the appreciation of fine art throughout the county and Northern Virginia. Visit us at any of our local art shows or join us for our monthly meetings - held on the 4th Monday of the month at the Tall Oaks Community Center at 12298 Cotton Mill Dr, Woodbridge, VA at 7:30pm

Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Have an idea for a blog post? Are you a writer and want to help with the blog? Let me know! Thank you for visiting, and remember to Share, Follow, and Comment (below)! ...Remember, comments are monitored so they will not show up immediately.

pinterest-site-verification=3ad32cc9cfeae507ba5a382d62fcee17

Friday, September 13, 2024

Post 495: Prepare Your Own Go-to-the-Show Art Bag

Prepare Your Own Art Show Go Bag

If you are an artist having your own art show or you are in a group art show, prepare an art show bag for yourself so that you have what you need so that you are ready to start selling art when the show opens! Here's a check list of supplies to have stashed in your show bag.

Photo by Zac Meadowcroft on Unsplash 

Being Prepared

You know the drill: There is always that often -frantic- hour or two before an art show begins where every artist scrambles to ensure that their art is up and out, labeled correctly, organized nicely and displayed perfectly by the time the show doors open. It is up to each artist to be as prepared as possible - and on time.

Anticipating the supplies you need before the show is something that should happen BEFORE you even leave the house. Know before hand what the venue provides and what they do not. (Tables, chairs - how many?)

Besides the obvious of bringing your artwork, prints and other creatives, there is much more that is needed AND desired, in anticipation of what could be important for last minute fixes or adjustments. Or if something gets broken!

If your are responsible for your own show, the check list is considerably larger as you will need to hang your own art and whether or not the show is indoor or outdoors which has its own challenges and lists. Nonetheless, you or your group MUST have:

  • Sales - point of sales equipment, charger, and invoice sheets 
  • Cash - in case you need to make change OR to purchase lunch, or other art! As per typically happens, the first sale of the day starts with a large bill coming in and wiping out the change drawer. It is good to know your art group companions might be able to help you out from their "stash".
  • Bubblewrap, Paper wrap - wrap artwork with bubbles OUT!
  • Gift bags to able to package smaller art
  • Print Rack(s), Gridwalls and all the other paraphernalia that goes with those
  • And much more

But here is what could be in your art show go bag no matter if a solo or group show:

Art Show Go Bag (ASGB) Supplies:

  • Your Phone/Camera and Batteries
  • Chargers, Extension Cords
  • Your Business Cards, Brochures
  • Invitations or Flyers to your next event
  • Your Exhibitor Badge or other ID
  • Your QR Code for your Website
  • Your Name on a Sign or Tablecloth (Branding)
  • Price List, Inventory of Art
  • Price Stickers, Red Dot Stickers
  • Clip Board, Stapler and Staples, Paper/Notebook, Index Cards, Paper Weight
  • Pens, Pencils, Rubber Bands, Paper Clips, Calculator
  • Scotch tape, Masking Tape, Blue Tape, Duct Tape, Glue
  • Price Cards, Labels - front and back tags for nearly all shows
  • Red and Black Sharpie
  • Tape, Twine, String, Wire, Wire Cutter, Fishing Line
  • D-Rings
  • Scissors, Multi-Purpose Tool – screwdriver, hammer, pocketknife
  • Zip Ties, Clothespins, Curtain Hangers, Clothesline
  • Sewing Kit, Safety Pins, Measuring Tape
  • Bungee Cords, Bulldog Clips
  • Battery Powered Lights
  • Wet Wipes, Paper Towels
  • First Aid Kit 
  • Small Folding Step Stool
  • Umbrella, sunglasses, hat
  • Personal Items: Ibuprofen, Chapstick, Tissues, Mirror, Lipstick
  • Snacks, Drinks, Water, Chocolate
  • Trash Bags

An ASGB can be a backpack, a duffel bag, a tote bag or whatever you deem necessary. I'd keep the bag prepped and readjust or resupply it periodically too.

Are you planning on painting/creating while at the show? 

Bring your equipment and an apron so you can do so if space and the venue allows. People love watching people doing what they do.

Good idea to have and know:

  • Guest Book - do you have an email list you can build on?
  • Know if you have to bring your own chair and a chair cushion 
  • Know HOW to use the POS equipment!
  • The weather forecast!

All that said, at every group show I attend, there is always at least one person, or ten, or even someone in the next booth saying, "Hey, do you have __fill in the blank__ I can borrow?" And its always something from the list above.

Can you think of anything else that should be included?

See also: How to Art Show and Lessons Learned After the Art Show


Author: Donna Liguria
Artistry Spin Blogmaster and an artist member of PWAS in Woodbridge, VA, specializing in acrylic painting. She paints landscapes, seascapes, animals and many subjects. Visit her Website at DonnaLiguriaArt.com, her Donna's Esty site and her Blog at Donna’s Cave Paintings.

Local Art: The Prince William Art Society is a 50+-year-old non-profit art group in PWC for the appreciation of fine art throughout the county and Northern Virginia. Visit us at any of our local art shows or join us for our monthly meetings - held on the 4th Monday of the month at the Tall Oaks Community Center at 12298 Cotton Mill Dr, Woodbridge, VA at 7:30pm

Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Have an idea for a blog post? Are you a writer and want to help with the blog? Let me know! Thank you for visiting, and remember to Share, Follow, and Comment!

Thursday, May 16, 2024

Post 463: Plein Air Painting Equipment and Supplies

Plein Air Painting Equipment and Supplies

This post looks at the what the plein air artist might want to pack for a painting session in the great out-of-doors. Depending on what the medium the artist desires to work in, such as oils, acrylics, pastels or watercolors, these lists will show how the supply list might vary and we'll give some options to consider when you are heading out for a plein air painting session.

What's in Your Checklist?

By the look of the lists below it may not seem to be the KISS method (Keep it Simple Stupid) but that is honestly what you do need to do for plein air painting. An artist will figure out rather quickly what they think they might need as opposed to what they actually must have before AND most assuredly after they go out. 

Your actual checklist of art supplies needed for plein air painting will also be based on other variables like:

  • Will your car be parked nearby?
  • Distance to walk and current conditions on the ground like rocky, hilly, wet, dry, arid, snowy, etc.
  • How heavy your fully loaded art supply carrier will be.
  • If flying to your destination, check those further restrictions
You'll only need to carry what you will actually use and what is necessary for the particular medium you will be working in.

David Dillon, a member of PWAS and the Plein Air Posse painting at the Bluebell Festival on April 7, 2024 in Nokesville, VA

At one of the Prince William Art Society meetings in 2023, (PWAS), we had guest speaker, Marni Maree telling the story of her adventures in traveling and plein air painting. She showed us examples set out down the table, from left to right of her various art supplies and equipment as she lived and traveled, packed and repacked her art supplies for her outings. The funniest part of the whole presentation was how the art supply list and equipment downsized - tremendously- down the table, AKA, got smaller and smaller. Less weight, more compact, and then NOT packed. 

Now, let's explore the options of real need in what you must pack, some good choices, and how the plein air backpack may vary depending on the art medium the artist might use.

Traveling Light but Protected

Before the artist goes lugging his whole art studio across a field or up a mountain, at least a little bit of research and some prepurchasing might be needed to make life out in nature while capturing its beauty a little less stressful, sweaty, or leaving you feeling like you just wrestled an alligator the next day.

  • Hat - a good one with a wide brim
  • Clamp-on Umbrella that is flexible, attaches well to your chair or easel, and is tiltable. Hopefully a sturdy enough one and large enough to protect you from the sun, and your painting too. Here are some options:
    • Wondershade on Amazon
    • Dick's Sporting Goods - small umbrella for $9.99 (suggested by David Dillon)
    • Best Brella
    • ShadeBuddy
  • Sunscreen, Advil, Bug Spray
  • Pepper Spray - unfriendly animals or people
  • Whistle, Binoculars, Compass - just how far are you out there wandering?

Plein Air Painting Basic Supplies

Plein air painting does call for some purchases that you may not already have. Selections will need to be made based on budget, your medium(s), your style of painting, perhaps even where you think you will be painting.

A Backpack - can also be used as an easel weight, so the bungee cords may come in handy. Select a large enough BP to handle the bulk of your supplies. Consider one with a "cooler" section for beverages/ snacks, or a way to hang your drinking water bottle from the pack.

A Portable/Collapsible Easel/Tripod. A lightweight field easel, pochade box or simply a sketch clipboard may be all you need, depending on if your medium is oil, acrylic, watercolor, pastel, or other medium or if you are doing a sketch or using color pencils, etc. Painting outside is often on uneven surfaces so versatility is important.

Easel Suggestions:

Pochade Box - a small paint box mounted on a tripod, often used by oil painters, used for painting on location. Pochade means "a rough or quickly executed sketch or study".

Field Easel - or plein air 3-legged easel, is a portable, lightweight, and easy to store easel of mid to small size, and is often collapsible, foldable, or has telescopic legs. They are meant and built for the open air studio with the intention of easy setup and take down. Check out any pros and cons when researching for your needs.

French Easel - full or half-box and the old rules apply. You get what you pay for. It is a type of field easel with a box for storing art supplies, a handle or straps for carrying.

 
Packing for Plein Air Painting (best easels and air travel tips)

Robert Dew, a member of PWAS and the Plein Air Posse painting at the Bluebell Festival on April 7, 2024 in Nokesville, VA

Folding Chair or Stool - up to the artist's needs here and whether they are more comfortable standing or sitting to paint, or do both. A compact collapsible, lightweight portable chair is very necessary in my opinion.

Chair Suggestions:

ArtComber Portable Rolling Chair - has built in storage, front wheels and folds into a chair.

Camp Stool - there are lots of options out there, along with bags to hold them, and sometimes accessories to consider.

Essential Art Supply Items - No matter the medium, choose to bring only the colors, brushes, palette, or any appropriate mixing solutions absolutely essential for the project, or to get the artwork started. Some artists can complete a painting quickly, others will finish in studio. Smaller sized tubes, containers etc will lighten the load - obviously.

Think ahead and adjust the colors you take to what you will be painting that day. As David Dillon suggested, if you're painting at the ocean, your pallet may be more blues; if in the woods, your pallet may have more greens and browns. A cityscape or street view may be more colorful. Many PA artists have mini palette packs ready to grab and go depending on beach, woods, or wherever.

It is recommended to always use artist-grade paint and not student-grade, so always purchase the best that your budget will allow.

Supply Suggestions:

Mini Palette Cups - clip on cups of stainless steel

Mini Brush Washer - stainless steel 

Brush Holder for the tripod 

Collapsible water holders

Sketchbook - many artists sketch first to decide composition and colors. Consider your medium you are using and what you might need your sketchbook to handle. Watercolor paper, mixed media paper, etc.

Pencils, Graphite Pencil, Markers, Waterproof Pen with Black Ink, Watersoluble Pencils - any of your selections here would go in a zippered bag with waterproof lining like a toiletries bag. Also include Pencil Sharpener, Eraser.

Supports, Your Painting Surface - Your choice in painting surfaces is yours to make as well as the size of the surface. If you paint on a gessoed canvas or gessoed panels, its suggested to use a surface the sun doesn't shine through. Papers will need to be secured or your drawing of 'down by the river' may end up floating down the river. 

Common sizes in plein air is 6x8 or up to 12x16. As the light changes on you, there will probably not be time to complete a larger surface, but you do you.

Your Cell Phone/Camera - Take reference photos of your subject with the time of day your main concern to capture the lighting the way you want to paint it. The light will change on you - in seconds! While some artists can knock out a plein air painting quickly and can capture the essence of the subject, others will finish up the painting later with their reference photos.

Be Prepared - in case of changes in the weather, heat, cold, rain, whatever.  Also, if its quite breezy, think how your artwork can be anchored down to keep from being air borne. 

Clothing - Dressing in layers is a great idea for those "iffy" days so that dressing up or down will help you stay cooler or warmer as needed and a raincoat, poncho, or a windbreaker may be a consideration as well. Pants are recommended (look at cargo pants too because of all the pockets), as well as dressing in neutral colored clothing as white and bright colors can reflect onto your painting.

If you read the link in the above story about Marni Maree, you may also consider a vest with multi pockets.

Guest Speaker, Marni Maree at a Prince William Art Society meeting discussing art supply packing for plein air and traveling options

Shoes/Boots - be prepared for the right footwear whether hiking, mudding, or sitting in a location with a variety of creepy crawlies. And when mud boots are recommended like at the Bluebell Festival, wear the boots. Bluebells LOVE and grow in mud. Closed-toe shoes are suggested as well.

And for the Ladies: Remember hair ties or clips and lip balm! Also, see the options list at the end. Tissues might be good too.

Seasonal: Paint in all seasons - and do push yourself to include all weather conditions! To truly appreciate the differences in lighting, colors, contrasts and more, it helps to practice and gain that experience. The best time of day to paint outside because of the lighting is early morning or late afternoon. The light of a sunrise or a sunset are of course, much more dramatic.

SHADE is imperative in the heat. See a great potential scene for a painting but there's no shade, snap a picture and paint that one in the AC. Cooling towels are another option when in the heat. And drop your hat under the water for a soak too.

Water for clean up, water for you. Collapsible containers may work there too. Nonetheless, especially in the heat, DRINK WATER OFTEN, whether thirsty or not.

Food -  Is it still plein air painting in a McDonald's parking lot? You'll need to have some easy to consume food and/or snacks too. Think granola bars and fresh fruit, which are good options for your energy levels. Or you may need a cooler to handle your munchies. Just remember, CLEAN UP AFTER YOURSELF!!

Paper Towels, blue shop towels, or rags for cleanup, plus some plastic trash bags including a large bag in case of an emergency rain-shield.

Suggested Reading:

PWAS Plein Air Posse 
Doren Dauer, a member of PWAS and the Plein Air Posse painting at the Bluebell Festival on April 7, 2024 in Nokesville, VA. Photo by Tom Payne, PWAS Member at Large

Acrylic Plein Air Painting Tool Kit

Plein air painting supplies for various mediums have many of the same tools and some big differences as well. As we all know, the beauty of acrylic paint is that it dries quickly. When plein air painting with acrylics on hot sunny days, consider being in the shade and out of the wind as best you can to prevent your paints from drying out on you. Other painters suggest a smaller canvas, painting quickly and leaving your brushes in the water when not in use.

  • Acrylic Paints
    • Titanium White, Cadmium Yellow Lemon, Cadmium Yellow Medium, Cadmium Red Light, Quinacridone Rose, Permanent Madder Lake, Ultramarine Blue, Turquoise, Burnt Sienna, Raw Sienna
    • Golden Open Acrylics offer a slower drying paints.
  • Sta-Wet Palette 
    • Plastic Sorting Container
    • Palette Paper or Water Palette
  • Acrylic Paint Brushes
    • At least 5 sizes; rounds, flats and filberts in sized #2-10
    • Soft synthetic bristle brushes may work best
  • Surfaces like Canvas Panels, Wood Panels, or Sintra Panels (wiped down with isoprophyl alcohol)
  • Retarder
    • Golden Acrylic Glazing Liquid to extend drying time
    • Atelier Interactives dry a bit slower
  • 1-2 Palette Knives
  • Brush Carrier - roll or tube
  • Wet Paint/Canvas Carrier - if you apply paint on the thick side, drying time may extend some, nonetheless, a carrier can protect the painting while traveling.
  • Water Container(s), Brush Washing Container - I'm a 3 water container person myself: 1. with soapy water for cleaning, 2. with clean water for rinsing, and 3. with clean water for dipping brush and mixing. So Containers are needed for your style here too.
  • Small spray bottle of water - to mist your paints and/or surface
    • Fill 3:1 mixture of water and Open Thinner
  • Sponge(s)
  • Plastic zip lock bags
  • Mechanical Pencil, Eraser  
  • Scraps of aluminum foil to cover main paint blobs on your palette

Acrylic Plein Air Painting Suggested Reading:

Advantages of Acrylic and Plein Air 

Essential Plein Air Painting Tools You Shouldn't Leave Home Without!

Plein Air Painting with Open Acrylics 


Jeff Holman, a member of PWAS and the Plein Air Posse painting at the Bluebell Festival on April 7, 2024 in Nokesville, VA. Photo by Tom Payne, PWAS Member at Large

Oil Painting Plein Air Painting Tool Kit

The Alla Prima painting approach is a direct completion of the painting all in one sitting. This could very well be a different way to paint for many artists in their studios that work at a painting over days or even weeks, painting and building layers. And realizing that your work will NOT be dry when you are done for the plein air painting day means a special way to carry the piece home to protect it is essential.

There are now water-based oils so some of the essentials will change.

  • Oil Paints
    • Limited palette suggestions for oil painting is Cadmium Red Light, Yellow Ochre, Ivory Black (for Blue), and Titanium White
  • Oil Paint Brushes
    • Hog Bristle Flats sizes #2, #4, #6, #8
  • Odorless Mineral Spirits like Gamsol or Turpenoid
  • 1-2 Palette Knives
  • Brush Carrier
  • Wet Paint/Panel/Canvas Carrier 
  • Solvent Container
  • Brush Washing Container
  • Palette for mixing paint
  • Paint Eraser Tool

Oil Plein Air Painting Suggested Reading:

Dan Schultz Fine Art Plein Air Painting Gear Checklist

Plein Air Painting Supply List for the Oil Painter

Plein Air Painting Techniques: 16 Tips for Success

Jess Kodad, a member of PWAS and the Plein Air Posse painting at the Bluebell Festival on April 7, 2024 in Nokesville, VA. Photo by Tom Payne, PWAS Member at Large

Watercolor Plein Air Painting Tool Kit

Many an artist consider watercolor painting outdoors as the easiest to work with, the supplies aren't as many, the drying time is quick, and other notable items in the PRO column.

  • Watercolor Paints
  • Watercolor Paint Brushes
  • Water Brush Pens
  • Watercolor Pencils, Pencil Sharpener
  • Brush Carrier
  • Wet Paint/Canvas Carrier/Protection for the surface
  • Water Container, Spray Bottle
  • Brush Washing Container
  • Lap Clip Board
  • Masking Tape, Mechanical Pencil Eraser
  • Sketch Paper, Watercolor Paper Pad and/or Notecards
  • T-square Ruler

Watercolor Plein Air Painting Suggested Reading:

Plein Air Watercolor Survival Guide

Basic Guide to Plein Air Painting

Top 5 Affordable Watercolor Plein Air Setups  

Photo by Pierre Bamin on Unsplash 

Pastels Plein Air Painting Tool Kit

Pastel artists that plein air paint tend to keep their pastels in their own box rather than the French Easel box to prevent breakage.

  • A limited selection of pastels, Pastel Box
  • Paper, Clips to hold paper down
  • Spray bottle of turp, water or rubbing alcohol, Small container
  • Fixative 
  • Latex Gloves or Wipes
  • Tortillons, Stomps
  • Putty Eraser
  • Masking Tape, Glassine or smooth paper to tape over the paper to protect it when traveling home

Pastels Plein Air Painting Suggested Reading:

Richard McKinley Fine Art 

Embracing the Imperfection in Plein Air Painting

Suggestions on Optional Supplies:

  • If you are painting on stretched canvas, consider a piece of cardboard to put behind it to prevent the sun from shining through it.
  • Retractable brushes
  • Swiss Army Knife, a few tools like a wrench, screwdriver, good glue. Regular maintenance on your plein air equipment is needed to keep it all in good condition.
  • Mahl Stick or Retractable Back Scratcher - to keep your shirt sleeves and palms above the paint surface and not in the paint.
  • Empty bottle for pouring dirty paint water in for disposal at home.
  • Sponge Brush for dusting, blending and softening edges
  • Cotton Swabs, Toothbrush, Stim-U-Dents - various textures and marks.
  • Brass Window Washer Squee-Gee - mark making tool for edges.
  • Bluetooth Speaker (maybe birds tweeting aren't your thing?...)
  • Portable Battery Charger for your phone
  • Disposable Plastic Gloves, Fingerless Gloves, Apron
  • Vice Grips or Nut Cracker for opening stubborn tubes.
  • Stand Up and Pee for Women - I'll let you look up this one. Or just do what they do in Times Square for New Year's Eve and wear diapers/Depends. 
  • Small pack of Wet Ones or Soil Love
  • Small rug, old table cloth to stand on in wet grass, snow or ice or a yoga mat
  • Bungee Cords, at least 4 Binder Clips, Carabiner Clips, Magnets
  • Directions, entrance fee, gate codes, where to park/not park
  • AND bring your business cards. I saw it at the Bluebell Festival where someone walking by wanted to buy the painting right off the easel of one of the PWAS artists!
    • Be aware though that depending on WHERE you are painting if there are any "sales" type of restrictions and permission agreements, which is a possibility in some public spaces.
Additionally, there are indeed lists of supplies and tips out there if you are flying and what you can or cannot pack, so be aware of what is allowed.
 
Further Suggested Reading:
Be sure and check out this article and all the comments, because previous readers dropped some great tips too https://www.outdoorpainter.com/plein-air-art-supplies-painting-outdoors/
 
Just remember, whatever you pack, you have to transport it there and back again.

Off the Beaten Path

Depending on where you are painting and who you are painting with - solo or with a group of painters, or perhaps along a trail with curious passersby,
you will probably be interrupted at some point. The distractions are potentially all in a days palette, so embrace the day - even if you are trying this different painting style of quickly applying your brush and capturing that exact light essence before its gone. Perhaps move off the path a ways to stay out of any major traffic flow when its safe to do so.

Its good for ALL of us to be out in the open air, its good for our health and feeds the soul - I think even more especially, the creative ones.
 
Do you have any supplies not listed here, suggestions, tips or advice?

Author: Donna Liguria
Artistry Spin Blogmaster and an artist member of PWAS in Woodbridge, VA, specializing in acrylic painting. She paints landscapes, seascapes, animals and many subjects. Visit her Website at DonnaLiguriaArt.com, her Donna's Esty site and her Blog at Donna’s Cave Paintings.

Photography/Video Credits: Donna Liguria and Tom Payne

Local Art: The Prince William Art Society is a 50+-year-old non-profit art group in PWC for the appreciation of fine art throughout the county and Northern Virginia. Visit us at any of our local art shows or join us for our monthly meetings - held on the 4th Monday of the month at the Tall Oaks Community Center at 12298 Cotton Mill Dr, Woodbridge, VA at 7:30pm

Want to join PWAS? Go to https://www.princewilliamartsociety.com/membership

Have an idea for a blog post? Are you a writer and want to help with the blog? Let me know! Thank you for visiting, and remember to Share, Follow, and Comment!